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Someone once told me a writer should act like a key which opens the door to another world.
While I rather like the analogy it’s my understanding that a writer needs to do more than simply provide a key. Having means to unlock a door simply isn’t enough; you need something to tempt the reader inside. A photograph is a flat rendering of a captured scene but we trust its reality. However, engaging with a story isn’t simply a matter of ‘beam me up Scottie’ and you arrive in another time and place, stories require you to step inside the world of imagination.
Scary thing imagination.
Writing is an infinitesimal spell created out of words and wonder, therefore entering a story requires a certain leap of faith. No matter how well written, or finely observed, nothing in a book will live if the imagination doesn’t commit wholeheartedly to its magic.
Therefore, I believe, the business of writing stories is tantamount to being a magician who conjures with imaginings – an imagineer.
Without imagination not merely stories die, imagining provides a ratchet to our soul.
It isn’t so much dancing in the rain as feeling the water on your face and not getting wet. Isn’t that truly magic?
When I worked in London one of my skills was to make patterns. At the time I was working for a company that produced very expensive one-off coats and each pattern was made to fit an individual customer. Our clients were mostly the rich and famous who didn’t have time to do more than one fitting so my patterns had to be accurate. When I began it wasn’t my area of expertise but I enjoyed the challenge and having made clothes since I was six it didn’t seem difficult although my boss called my method ‘applied guesswork’.
Most people are familiar with commercial dress-making patterns, flimsy tissue-paper sheets which are highly inaccurate and produce mixed results. I’ve had terrible failures with such patterns and when you’ve spent a fortune on beautiful fabric it’s really sad to find the result of your labours isn’t wearable. So I can sympathise with Sir Christopher Zeeman, emeritus professor of applied mathematics. When he couldn’t find a dressmaker to make a dress for his wife with the piece of hand-woven silk he’d brought from Thailand (it wasn’t long enough) he decided he would make it himself.
First he measured his wife carefully and worked out her ‘area’ in square inches. He’d never made a dress before and thought a sleeveless summer dress with a simple princess line would be the most simple to design and make. Luckily he produced a mock-up using an old sheet, because it all went horribly wrong.
‘I was particularly intrigued by the negative curvature at the small of the back.’ He said when discussing the problems during a lecture at Gresham College. ‘I slowly began to realise that I did not yet understand the basic mathematical problem of how to fit a flexible flat surface round a curved surface.’
Being ‘mathematical’ he decided he would analyse the best means to produce the necessary ‘fitted’ effect and discovered what a dressmaker calls a ‘dart’. Then, after a long and well-reasoned study of darts, he decided to write a mathematical equation that could provide the correct ratio required for a perfect fit – ‘the first approximation is to assume that the cross-section at the hips is a circle of radius r, and that at the waist is a smaller circle of radius r-x. Hence the hip to waist ratio is 2π(r-x).’
But then he encountered the ‘different vertical asymmetry’ between his wife’s back and her front. No more negative curvature, in fact there was the added problem of a bust. Subsequently he had many sleepless nights considering the best way to finish the dress because ‘there was a deep topological obstruction, analogous to the impossibility of unknotting a knot.’
Lady Zeeman commented that her husband so enjoyed his delve into the mathematics of dressmaking he worked on several projects, still in frequent use.
My point being that many English schools dropped the teaching of dressmaking when the National Curriculum decided in favour of more ‘technical studies’ such as computer skills but perhaps they would have been better taking Sir Christopher’s approach to problem solving?
The best intentions sometimes flounder through lack of time. The trouble is I’ve come to realise the only person who values my time is me. Perhaps that seems a silly conclusion to reach at my age but I don’t think it’s been quite so invasive until recently.
To give an example, last Monday I was working on a short story I wanted to enter into a competition. Time, always short, seemed to disappear like a black hole before I reached that critical point when the story appears (at least to me) ‘finished’. I’d just put the editing aside to make dinner when a member of the family rang needing my help, urgently. That was a week ago. I haven’t returned to the editing since. A calamity of minor disasters compounded all my writerly ambitions.
Now there are some things impossible to counter, such as members of staff being sick while others are taking their holidays. I have to cover their time at work, which might be unexpected but remains essentially unavoidable (after all it’s a family business and money pays the bills, not my writing). However, what really makes me mad is someone asking me to go somewhere, or to help with something, then not turning up at the allocated time. I hang around ‘in waiting’ but if I attempt do anything constructive, such as writing, it’s hard to concentrate because I’m expecting to break off at every minute. It isn’t that the time is lost but the quality is cheated.
Anyway this seems to be happening far more frequently of late so I decided to work out just how much time I spend ‘in waiting’ and was horrified to discover it amounted to almost eight hours last week – that’s a full day wasted. And I didn’t count everything, like that gap between putting the dinner on to cook and waiting for it to finish….or any of the other mindless jobs that the routine of life requires of us.
Time is an asset that can’t be replaced. Once spent it’s gone. And choosing how I spend my time seems to be down to me – except I’ve never learnt to say ‘no’ when someone needs me. And I’ve missed the closing date for that short story.